爱诗特浓Estelon Extreme巅峰落地音箱

　 转自老蜗牛家庭影院博客

　产品规格参数和简介 转载请注明出处，www.hdav.com.cn

　　低音 ：2×10” Aluminium dome

https://www.hdav.com.cn/play-hometheater/1764.html

　　中低音 ：10” Aluminiumdome

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　　中频 ：7” Ceramicinverted dome www.hdav.com.cn

　　高音 ：1,5” Diamondinverted dome

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　　频率响应 ：20-45 000 Hz

转自老蜗牛家庭影院博客

　　额定功率 ：500 W 微信号：860275582

　　额定阻抗 ：4 Ohm

　　敏感度 ：91 dB/2,83 V

　　高度 ：1770 mm – 2070 mm

　　宽度 ：790 mm

　　深度 ：820 mm

　　净重 ：250 kg

　　参考价格：2200000.00元人民币

　　乍看之下，这对视觉设计打破巢臼，别出心裁，饶富艺术况味的Extreme是标标准准的两声道喇叭，实际上，它仍是一对四件式喇叭，只是在Estelon品牌创办人兼总设计师Alfred Vassilkov的创见巧思之下，竟让观者浑然不觉这是对四件式喇叭。请注意看，Extreme共分成上下半截两独立音箱，下半身金橘色箱体左右两侧各装1颗Accuton10吋铝合金三明治凸盆振膜中低音，可视为低音柱;上半身消光黑箱体的前障版有装有三颗Accuton单体，由上至下分别是10寸铝合金三明治振膜凸盆中低音、7寸陶瓷振膜中音与1.5寸钻石振膜高音，是为主发声柱。左右声道，上下半身，分开看就是一对线音源的四件式喇叭，合体之后遂成了对传统两声道喇叭。如此前卫大胆的设计构思，在Alfred匠心妙手之下，竟幻化一身优雅绝美，同时，还能避免传统四件式喇叭占空间又不好摆位的缺点。我不禁赞叹Alfred这人真是当今喇叭设计界的奇才，在我心中的地位，俨然已与Vivid Audio的总设计师，也就是当年设计出鹦鹉螺的Laurence Dickie平起平坐-甚至，我认为Alfred的设计更富优雅美感。

　　首见10寸陶瓷振膜凸盆单体

　　Extreme绝美归绝美，设计巧思精彩归精彩，如此打破传统框架的设计，对于声音回放会不会造成任何「中看不重用」的弊病呢?若就实际听感论，我丝毫感受不到Extreme在高、中、低音三频衔接上有不正常的交越峰值、滚降凹陷，或任何不自然的怪声怪气，可见Extreme的整体设计的确有兼顾到多单体间的整合。其整合手法为何，不外乎单体的选用，分音器的拿捏，最后，也是最重要的就是箱体构造的精算。

　　先就单体来讨论，方才说道，Extreme上下两截箱体所装载的单体全都来自以陶瓷振膜中低音与钻石高音闻名的德国Accuton，这也是近几年Hi-End音响圈中最炙手可热的单体。为什么Accuton单体那么受全球喇叭设计师的爱戴?声底纯净、音色纯粹，瞬时反应快，总体失真低，这些都是Accuton单体引以为傲的强项，对于追求喇叭回放须恪守中性无染原则的Estelon来说，Accuton单体当然是他们的第一首选。事实上，早在Extreme发表之前，Estelon旗下所有喇叭早就一律采用Accuton的单体，各位乐迷肯定也曾领教过这单体的至净至纯。

　　在Extreme所选用的Accuton单体中，最令人瞩目的无非是首度出现的10吋铝合金三明治振膜凸盆中低音单体。尽管说Accuton这颗造型特殊的凸盆低音早一步被Marten Design抢先使用，可是，Marten Coltrane Tenor所装的是小尺寸口径，Extreme却用上10寸版本，还一口气用上三颗——两颗作低音，一颗作中低音使用，如此一来，不仅能取得更大口径低音单体的等值量感，还能确保低音反应速度跟得上中高音段，低音声部的音品能与中低音作自然衔接。于是乎，只要分音器作简单的二阶分音架构，就能让全数单体音色连贯，密度齐高，听感上自然就有一体感与一致性。

　　全自动化调整喇叭高度

　　箱体结构方面，Extreme延续Estelon几款前作如C Diamond、XA、XB、XC的专利E-lon箱体技术，运用Formula 1赛车等级的高硬度，多层复合式塑钢复合大理石材料打造出这等高刚性，低共振，全无平行面的圆弧造型音箱。各位可别看Extreme曲线婀娜，体态妖娆，每支喇叭净重可是高达250公斤!所谓不重则不威，这么重的箱体当然能让单体获得稳若泰山的发声基础，再加上音箱内部施以多层阻尼，自然消弭箱内驻波：高音单体外还铺上一层羊毛毡，配合圆弧箱体，进一步防止绕射干扰，再次提升音质纯度。

　　话说回来，这么重的喇叭，连搬都不好搬，又该如何摆位?如果买回家，摆在定点，是不是从此之后就无法再挪移?如果摆位所得的声音无法与空间声学水乳交融，和谐共存，又该怎么办?为此，Alfred再度发挥它的创见巧思，不仅赋予Extreme的高音单体可前后调整，改变发声位置，使高、中、低音时间相位得以同时抵达座位区的三段式可调机制，上半截整个主发声音箱还能够上下高低起落，改变直接音的投射角度与扩散区域。更让人惊喜的是Extreme上半截音箱的高低起落调整竟然采用远程遥控全自动设计，共计五段可调，每段会拉高或降低60mm，因此，这对喇叭的高度就会从最低177公分变成最高207公分。如此设计，既能因地制宜地弹性适应空间声学特性与天花板高度，也能适应不同器材搭配所呈现的不同指向性与扩散性，更重要的是各位只要远远地坐在沙发上，拿起原厂随附的遥控器，就能不费吹灰之力地进行调整。环顾全世界音响圈，能够调整高音单体前后发声点的喇叭不是没有，可以改变音箱方位的喇叭也有不少厂家作过，甚至能挪动箱体高度的喇叭也有厂牌尝试，但是要音箱上下高度、单体前后位置皆可动，而且还是全自动，绝对只有Extreme一家。

　　Emotion

　　The monumental sculpture of a speaker, standing up to 2 meters high, craves for attention through Estelon’s signature design. Extreme gives you a perception of the quality it performs, even before you embrace the entrancing sound it delivers.

　　The proprietary marble based composite material with the finest aesthetic finish presents the familiar sculpture-like design that Estelon has trademarked over the years. Following the principles that have proven itself with every product launched by Estelon, the shape and the material of the speaker are an essential part of the powerful performance the speaker provides.

　　The truly mesmerizing experience begins when the design and the technology fuse together, as the audience will be left in awe after being absorbed in seamlessly blended soundscape.

　　Design

　　Extreme’s design is the manifetation of Estelon’s engineering principles that blend function and form together to work seamlessly in harmony.

　　The synergy presented in Extreme takes a whole new meaning when the listener discovers the

　　performance enchanting principles the design harbors.

　　Estelon’s head-engineer Alfred Vassilkov has provided the Extreme with all the innovative break-through technology and design principles that he has been multiple times awarded for over the years.

　　Extreme is the visually aesthetic definition of Estelon’s relentless pursuit to technological perfection. Simply put, it looks as good as it sounds, because it is a sum of everything Estelon stands for as a leading innovator in the high end speaker industry.

　　Technology

　　The most noticeable change in Exteme’s design is that it’s built of two modules. The upper module allows the speaker to be adjustable by user for optimizing the sound in regard of audience’s position and room specifics. It also isolates the high, medium and mid-bass drivers from the vibration that the lower positioned bass drivers provide.

　　Through the positioning of the bass drivers in lower module and the design of the cabinet, Extreme delivers a complete acoustic sphere by not breaking the sonic geometry. As a result the listener is presented with the quality of the bass that is unheard of.

　　Sound quality

　　The quality of Extreme’s sound is the result of every engineering detail and design decision as whole - the shape and material of the cabinet, the top tier components and the engineering experience of masterfully fitting it all together. This provides an outcome that allows Extreme to deliver a complete and harmonious soundscape which is bigger than the sum of its components.

　　Every aspect of Extreme’s sound is rich, dynamic and immersive. All the details are delivered with perfection, providing the listener with a truly natural and pure experience. The sound of Extreme is an event on its own, where the speaker itself completely disappears as a sound source, replacing its presence with the venue in which the recording was made.

　　Exterior

　　We pride ourselves with tradition of building our speakers by hand and continue this practice with the release of Estelon Extreme. Every cabinet is built manually by highly experienced and expert craftsmen with the attention to detail, that Estelon is known for.

　　Extreme is the first speaker in Estelon’s product line that utilizes two colour combination to compliment the speakers

　　monumental cabinet design. The matte black as the primary colour combined with the glossy polished finishes, also used by high-end automotive manufacturers, enhances Extreme’s every curve with the beautiful aesthetic reflections, making these speakers the true heart and soul of any room.